A portrait of Michel de Montaigne, whom you can blame in part, maybe, for all these “essays.”

• Essays—essais, essayes—what are they, how are they, where did they come from, why can’t we seem to settle on the meaning of them, is Montaigne to blame for all this, or Francis Bacon or maybe King James, and what’s the meaning of all this “attempting” anyhow … John Jeremiah Sullivan aspires (don’t make me say essays) to find out.
• Horace Engdahl, who helps to judge the Nobel Prize in Literature, laments the “professionalization” of writing in the West: “I think it cuts writers off from society, and creates an unhealthy link with institutions … Previously, writers would work as taxi drivers, clerks, secretaries, and waiters to make a living. Samuel Beckett and many others lived like this. It was hard—but they fed themselves, from a literary perspective.”
• Relatedly: “A growing number of biographers and historians are retrofitting their works to make them palatable for younger readers … And these slimmed-down, simplified and sometimes sanitized editions of popular nonfiction titles are fast becoming a vibrant, growing and lucrative niche.”
• Zadie Smith on a certain famous populous island: “Manhattan is for the hard-bodied, the hard-minded, the multitasker, the alpha mamas and papas. A perfect place for self-empowerment—as long as you’re pretty empowered to begin with. As long as you’re one of these people who simply do not allow anything—not even reality—to impinge upon that clear field of blue. There is a kind of individualism so stark that it seems to dovetail with an existentialist creed: Manhattan is right at that crossroads. You are pure potential in Manhattan, limitless, you are making yourself every day.”
• “An intellectual is a person who is mainly interested in ideas. I am an aesthete—a person who is mainly interested in beauty. Nowadays the word aesthetecarries with it the musty reek of high Victoriana. Still, there remains no better word to describe the way certain people—people like me—view the world.”